While examining choreographies of power, I am implicating the viewer as they encounter the work. In order to read the text, one has to move around it due to the scale of the text. To be able to see it from a different vantage point, one may be able to walk up 4 flights of stairs on the grandstands located on the side and invest more time. The act of performing for the work allows the work to perform in its stillness.